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Pernell Roberts~Fugitive From The Ponderosa TV Guide~August 6, 1966

Still On The Move, Pernell Roberts Stops Long Enough To Sound Off About
Vietnam, Money, Survival, The Truth--And, Oh Yes, 'Bonanza'
Pernell Roberts, bearded and barefoot, was prowling around the
cluttered room. "Let's face it, man," he said heavily, "I've got a problem."
There were seconds of silence as he contemplated a Pisa-like tower of
books. There was hopelessness in his gesture, in his tone.
"Everyday the load gets heavier," intoned TV's most celebrated
real-life fugitive." My big problem now is...."
His interviewer cocked his ballpoint and awaited the revelation.
"....how and the hell I am going to get all this (obscenity)
packed in time to catch the cruise ship. Judy and I have been living like
gypsies, accumulating all this stuff as we go." All fugitives should have
such problems.
Since blowing the Ponderosa in February 1965, thus renouncing further
claim to the 'Bonanza' bonanza, the erstwhile Adam Cartwright has been as
accessible to interviews, as say, Howard Hughes.
"Look, I didn't solicit this little chat," he said with the ingratiating
tact that had endeared him to the rest of the Cartwright clan. "I happen
to like and trust Danny Burack, and that's why you're here. He said you
were an okay guy."
Danny Burack was the owner of the Galen Beach Hotel, in Key
Biscayne, Florida, where the Robertses had checked in a month before for a
two-week stay--the tenure of Roberts' reign as the party of the first
part in "The King and I" at Miami's Coconut Grove Playhouse. Nobody, until
now, had been bugging him at his oceanfront villa, so he and his
attractive Judy had stayed and stayed. And now they were going to Port
Everglades, Nassau, Jamaica, Haiti, to keep the vacation going. Then back to
the States to Milwaukee to pick up a $7500, custom-made Excalibur SS
sports car, then home to Hollywood's 99 North Sycamore Ave. And then?
"I shall look for employment."
Another television series?
The Florida sun was burning brightly, but the temperature in the Roberts
villa suddenly plunged like a barometer in a hurricane.
"There are other opportunities open to actors," he said, as frost formed
on near-by fronds. "The stage, the screen." Any bookings?
"Look, I live day to day and deal with things as they come. There is
no program, no grand design. When I'm not working, I'll be pondering." Pondering what? "Man's inhumanity to man." Could you be a little more
specific?
"Look, I've said it all before. It's seen in TV Guide and elsewhere. I see
no point in going through the whole shtick again."
OK. OK. What about such mundane things as daily bread?
"I'm not exactly hungry. I've got $25,000 in the bank and there's that
$500 every week in deferred payments from 'Bonanza', for the next five
years. And they do pay me, you know, for appearing on the stage."
And how much was he making in 'Bonanza' when he quit?
"Same as the others. Ten thousand an episode, for 36 episodes. Or was it
33 episodes, Judy? I forget."
Had he viewed 'Bonanza' since his self-imposed exile?
"Funny you should ask that. Just last Sunday night when we were in the
sack and the TV was on, and there it was. Man, was it funny."
Was it supposed to be funny?
"No, I don't think so, but it was funnier n' hell. There was another
funny show later that night, 'Under Two Flags', and that broke me
up, too, especially when Claudette Colbert kept that rendezvous out there
in the desert with Ronald Coleman. I could see it again."
"Yeah, I thought how fortunate I am not being with it. It's amazing how
I managed to survive six years of utter frustration. It really was a
crusher for me, mentally. I even went to a doctor for help. I had to get
out."
What bugged him most?
"The plots, the godawful plots. They take a plot and write it six
different ways for six different Sundays. One week it's lawyer night. Next
week it's rancher night. You change the protagonist, but it's the same old
plot. And the writing, Gad!"
There was silence as Roberts soulsearched the ocean, pondered, than
padded his way into the kitchen to build another round of drinks.
"Look, I've no desire to throw anymore brickbats. If I hadn't seen the
show accidentally on Sunday night, you wouldn't even have got me to talk
about it. Why talk about things that don't even matter? There are big
things happening, like Vietnam."
What about Vietnam?
"I think it's a tragic farce. When I hear and read about our country's
need to 'save face', I don't know whether to laugh or cry. What the
hell, if I'm wrong, I admit it, period. It's a schizophrenic
thing. Actually, what it all boils down to is that there is no altruism in
the world, and therein lies the great tragedy. God, I wish I could be more
articulate. So much is happening in the world today."
If Pernell Roberts could do a one-sentence broadcast to the
world, what would be his message? There wasn't a split-beat of
hesitation.
"I would tell all of humanity to stop hating, start loving."
Judy Roberts, who has trudged alongside her husband in the Selma
march, beamed happily: "I like the slogan. Let's make love, not war."
"Beautiul, beautiful", Pernell said. "I would want my message to be
beamed mainly to the young people, to make them understand real values. I
would love to address student organizations, engage in campus
debates, make them see the truth."
And what is The Truth?
"That there's a helluva lot more to life than making money. I sometimes
think that people don't care about anything except making the (obscenity) dollar."
Isn't money necessary to survive?
"Look, myself, I have a strong sense of survival. I try to behave in
such a way that I cannot be victimized or destroyed, literally or
figuratively by the conscious hysteria of the society in which we live."
Is anyone seeking to victimize or destroy him?
"Let's just say that I haven't been able to prove anything--not
yet, anyway--and let it go at that. My lawyers know what's happening. I'm
not about to be intimidated by anyone, no powerful he may imagine himself
to be."
Could he name names?
Someone high in the network?
"I could, but I won't. Let's see how things develop."
It was time to dine.
"You must try pompano amandine a la' Galen," Pernell Roberts said. "It's
truly superb. But first a Margarita." He summoned the bartender.
"Remember now, one and one-half parts tequila, one part lemon
juice, one-half part Triple Sec or Cointeau. Make sure the glass is
thoroughly chilled and rimmed with salt."
"Yes, sir", the bartender burbled, grabbing for bottles. "One Pernell
Roberts Special coming up."
~By Jerry Kobrin
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